- Genre:Musical / Social
- Cast:Himesh Reshammiya, Shenaz Treasurywala, Sonal Sehgal
- Director:Isshaan Trivedi
- Music:Himesh Reshammiya
Radio: Love on Air, composed and coordinated by Ishaan Trivedi, is the year’s most wannabe film. It needs, to the exclusion of everything else, to be cool, hip, current. So the characters have cool employments – two are radio racers and one is a choreographer.
The sentiment is happened in cool spots like shopping centers and bistros and Facebook.

The melodies talk about fultoo disposition. The film, maybe enlivened from Quentin Tarantino’s Inglorious Basterds, is isolated into sections and the discourse is steadily urban: the sweethearts mouth lines like: Shanaya was cool, who mujhe space deti hai or woh mera disavowal mode tha or I needed to come to you with no things .
Be that as it may, regardless of this exertion, Radio remains strongly wannabe in light of the fact that at its inside is the lord of uncool: Himesh Reshammiya.
Himesh plays Vivan, an effective RJ who runs a show on connections and is known as Dr Love..
The difficulty is that Dr Love can’t keep his own connections above water.
His ex who dumped him is presently reconsidering her choice.
There’s additionally a RJ who adores him yet needs him to be glad and is subsequently attempting to get him back with his ex, whom she thinks he cherishes.
It is, as Vivan announces terribly, muddled. The film follows Vivan as he disentangles the series of his heart, escapes his refusal mode and makes sense of who he really adores.
Vivan and his ladies, Shanaya played by Shenaz Treasurywala and Pooja played by Sonal Sehgal, comprise film’s most worn-out m?nage a trios.
They hang together, shop together, make a music video and break a great deal of ceramics since somebody says it’s a hint of something better over the horizon. In any case, what makes this unfathomably stupid film fun is, that like Karma aur Holi and Jimmy, its so awful that it’s acceptable.
I appreciate Himesh’s get up and go and certainty. The recent TV maker has reevaluated himself once more.

The tops have been supplanted by a head brimming with hair. He has another beautician, a slimmer body and another voice yet he despite everything can’t act.
So when he presses his eyes and says lines like: A relationship needs conclusion considerably after it’s finished, it’s unadulterated, hilarious satire, inadvertent obviously.
The film is a terrible acting Olympics with Shenaz and Sonal, giving Himesh solid rivalry.
What’s more, if that is insufficient, there’s Rajesh Khattar, playing the supervisor at the radio broadcast.
For reasons that stay unexplained, he’s in a wheel-seat, wearing a dazing wig and a Stetsun.
He continues pestering the Rs 8 crore that Vivan’s show is getting and each time the show hits another pinnacle, he jumps up in the wheel-seat.
What’s more, did I notice the tunes: music is Himesh’s center quality. Man Ka Radio, similar to his past hit melodies, sneaks into your circulatory system and regardless of whether you don’t care for it, you end up murmuring it.
Be that as it may, in the film, the soundtrack is slaughtered by exaggerate. In the initial 10 minutes, Man ka radio plays again and again and over until you need to shout.
Radio is incoherently terrible. Words can’t pass on the experience. You need to look at it yourself.
I can’t suggest that you spend Rs 200 yet when the DVD turns out, make certain to lease and appreciate Radio with reasonable inebriation and a couple of old buddies. ONE AND A HALF STAR