- Genre:Social
- Cast:Ranbir Kapoor, Shazahn Padamsee, Sharon Prabhakar, Gauhar Khan, Prem Chopra, Mukesh Bhatt, Manish Choudhary
- Director:Shimit Amin
- Writer:Jaideep Sahni
- Music:Salim Merchant/Sulaiman Merchant
Rocket Singh: Salesman of the Year is a sweet however slight film, which ought to be looked for its sincere goals, its characteristic conventionality and for Ranbir Kapoor’s exhibition, which solidly builds up him as the best on-screen character of his age.
Ranbir plays Harpreet Singh Bedi, a B Com graduate with 35 percent marks who turns into a sales rep in a PC organization.
His optimistic vision of the working scene breaks rapidly. Inside a couple of long periods of working, a customer requests a kick-back. Harpreet is alarmed and records a grumbling. However, his genuineness just presents to him a downgrade and mortification.
Resolved to do it his way, Harpreet structures his own organization inside the organization. Other disappointed representatives likewise discover their approach to Rocket Sales – a place where even the chaiwallah is an equivalent accomplice since he carries ability to the table.
Harpreet and his band of dissidents give us that in the long run genuineness and difficult work is a sound business choice.

This is an extreme story to tell and sell. Executive Shimit Amin and author Jaideep Sahani, who prior teamed up on the fantastic Chak De, are working here with no of the highs and lows of that film.
The dramatization here is increasingly controlled. The impediments appear to be increasingly normal. The characters are entirely reasonable.
Beginning with the titles, Shimit and Jaideep make magnificent little subtleties – so Harpreet’s granddad, played pleasantly by Prem Chopra, runs through a check list before Harpreet goes for a prospective employee meet-up, which incorporates the inquiry: movement clear hua.
A road side tea slow down turns into the meeting room of the youngster organization and even the phone around Harpreet’s work area has the perfect measure of grime.
Be that as it may, the issue with Rocket Singh is that it never connects with you completely. The main half is particularly slow however even in the second, the film doesn’t get you by the gut.
There are extended lengths in which the limited narrating gets liberal and topples over into sheer fatigue. What’s more, there are a few minutes at which you wonder if this is more data about sales reps and their troublesome lives than you at any point required.
The supporting characters in the film are fascinating – I particularly preferred Giri, the angel fixated PC pro, played by D Santosh and Koena, the in vogue yet eager and keen assistant played by Gauhar Khan. Be that as it may, none of them are as strongly carved or as significant as the ladies in Chak De.
At long last at that point, it is up to Ranbir to convey Rocket Singh over its constraints and he adapts to the situation exceedingly well.

Watch his eyes in the scene wherein he first finds that trustworthiness doesn’t pay right now his non-verbal communication in the scene, in which his granddad needs to come to prison to get him. He is extraordinary.
Rocket Singh never turns out to be more than the entirety of its parts yet at the same time I prescribe that you set aside a few minutes for it. Simply be set up to show restraint.